sergei demin

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not music of the day

not music of the day

It's jungle here, served on a plate: ungrasped, decoded, dissected, wrecked and regenerated. The flux dismantled into tiny grains and transported to the the genres' outer realms where any signs stop making sense.

While techno pulses with its high-frequency cadence, the essence of jungle transcends, perpetually echoing its primal nature. Jungle is not merely jungle! ]***]]

not music of the day tape in the bushes
not music of the day tape with a colourfull card
not music of the day tape with a full package

It's at the point where all formal procedures turn into immersive hallucinations. Where semiotics descend into virotechnics.

It's a place where the music is not music of the day. It's a place where the music is not music of the []]]|||]

  1. Interlude 05:43
  2. Emailed Demo #1 04:04
  3. Last Tango 05:02
  4. Sobakan 06:16
  5. Interlude #2 — Expectations 01:35
  6. 160th 05:59
  7. Protoplasm #3 04:26
  8. Interlude #4 01:45
  9. Bring It Home & Play It LOUD 03:04
  10. Karaoke Version 04:50

And while techno is about high frequency, jungle is about jungle is about jungle is about jungle is about jungle is about jungle is about jungle is about [ˈʤʌŋgl ɪz əˈbaʊt] [[[*[][][]] [* [ * ]] *[ ]]********* [*] *[ ]] *[][] [][][]**[][][]] [*[[]]]]] []* [*[[]]* ]][ ]]]*[][ ]]***** [*] *]]]**][**[][] [][] []**[]** [*] ******][] and HEAVY BASS.

However you prefer working with sonorous archetypes — please stop calling it `deconstruction`.

Its rhythm is a recursive chant that resounds, a cascade of [*[][][]] echoing

not music of the day jungled
not music of the day hidden by the leaves
not music of the day artwork

october 2020 @ klammklang